This post explores the early use of trade secret law for protecting computer programs in India and its limitations. It discusses how legal and technological developments eventually necessitated a shift towards copyright protection.
Read more about Intellectual Property Protection for Computer Programs – Part IICategory: Copyrights
OSS License Compliance – Source Code Not Enough
Complying with OSS licenses involves more than sharing source code. Legal obligations under licences like the GPL include terms on DRM, attribution, and usage restrictions. This post discusses Apple’s VLC case and stresses the importance of full compliance by OSS users.
Read more about OSS License Compliance – Source Code Not EnoughIdeas, Concepts, Scripts & Stories – Protecting Ideas in the Entertainment Industry Part V
The Anil Gupta v. Kunal Dasgupta case sets a precedent on idea protection and breach of confidence in Indian entertainment law. It clarifies that detailed concepts, rather than mere ideas, may receive copyright protection and legal remedies when misused.
Read more about Ideas, Concepts, Scripts & Stories – Protecting Ideas in the Entertainment Industry Part VHarmonious Construction Can Ignore the Term Clause
This post discusses a Delhi High Court case on copyright infringement involving film music rights and the principle of harmonious construction in contract law. The Court’s decision highlights the importance of interpreting agreements in their entirety when resolving intellectual property disputes.
Read more about Harmonious Construction Can Ignore the Term ClauseBroadcasting Licenses under Sec. 31D of Copyright Amendment Act, 2012
Section 31D of the Copyright Amendment Act, 2012, provides statutory licensing for broadcasting published literary and musical works in India. The post clarifies that this provision mainly applies to radio, with limited scope for television broadcasters, and excludes synchronization licenses.
Read more about Broadcasting Licenses under Sec. 31D of Copyright Amendment Act, 2012Works Made for Hire and Film Production – Part I: Notes on Copyright Amendment, 2012
This post provides a structured analysis of works made for hire under Indian copyright law, especially in film production. It examines Section 17, the 2012 amendment, and emerging questions on authors’ rights and producer ownership.
Read more about Works Made for Hire and Film Production – Part I: Notes on Copyright Amendment, 2012India’s Copyright Societies & Collective Rights Management – Part VI
This post analyses the functioning of copyright societies in India, recent legislative changes, and significant judicial interpretations. It addresses critical questions about licensing models and the intent behind the 2012 amendments, with an objective, legal-academic perspective.
Read more about India’s Copyright Societies & Collective Rights Management – Part VIIdeas, Concepts, Scripts & Stories – Protecting Ideas in the Entertainment Industry Part I
The post discusses the protection of ideas in the entertainment industry, particularly under Indian copyright law. It addresses the limitations of idea protection, the risks of idea theft, and the significance of formal agreements and registrations for writers. The analysis is clear, objective, and rooted in legal principles.
Read more about Ideas, Concepts, Scripts & Stories – Protecting Ideas in the Entertainment Industry Part IGawker Media Sued By Dr. Phil; U.S. ‘Six-Strikes’ Policy Company loses its Status; and more
This post reviews key copyright infringement disputes, including Dr. Phil’s case against Gawker Media and the status change of the Six-Strikes policy company. It further examines the International Trade Commission’s ruling in favour of Twin-Star International.
Read more about Gawker Media Sued By Dr. Phil; U.S. ‘Six-Strikes’ Policy Company loses its Status; and moreSalient Features of the Copyright Amendment Bill 2012 and its Impact on Entertainment Industry
The Copyright Amendment Bill 2012 brings notable changes to Indian copyright law, impacting authors, performers, and producers in the entertainment sector. This analysis examines the Bill’s main provisions and their practical implications for copyright ownership, royalties, and statutory licensing.
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