Would Licensing a Sound Recording Call For Separate License From the Lyricist and Composer?

The Delhi High Court ruled that broadcasting a sound recording in India does not require separate licences from lyricists or composers, only from the producer. This decision has substantial implications for music creators’ rights and royalty entitlements under Indian copyright law.

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Sound Recording, Literary & Musical Works and Right to Royalty – Part 4

This article examines the complex relationship between sound recordings and underlying musical and literary works under Indian copyright law. It discusses how recent court decisions shape royalty rights, emphasising the continued entitlement of lyricists and composers when rights are not expressly assigned.

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Sound Recording, Literary & Musical Works and Right to Royalty

This post discusses leading Indian cases on royalty rights in sound recordings and underlying literary and musical works. It clarifies the legal framework for royalty payments in FM broadcasts and public performances, focusing on the rights of music companies versus lyricists and composers.

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Sound Recording, Literary & Musical Works and Right to Royalty – Part 2

This post examines the complexities of royalty rights for sound recordings and underlying literary and musical works in India. It provides a legal analysis of significant court decisions and their impact on authors, producers, and commercial broadcasters.

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Performer’s Right under Indian Copyright Law- Part I

This post discusses the evolution and statutory basis of performers right under Indian copyright law, highlighting key amendments and ongoing challenges in legal protection. It provides a structured overview of the rights granted to performers and sets the stage for further analysis of judicial perspectives.

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