Indian Copyright Act | Intellepedia

Copyrighted Music in Wedding functions: Court orders deposit for Sangeet and Cocktail Parties

The Delhi High Court ordered a deposit for playing copyrighted music during sangeet and cocktail parties, addressing legal exemptions under Indian copyright law. This post examines the Court’s reasoning and the implications for music use at wedding functions.

Suggestions on the Amendment of the Copyright Act, 1957- Part III

This article examines proposed amendments to the Copyright Act, 1957, with emphasis on accessible formats for disabled persons, statutory licensing, and collective management. The suggestions aim to align Indian copyright law with international standards and address practical challenges in enforcement and access.

A Case for Statutory Licensing of Music for Broadcasting

This post evaluates the necessity of statutory licensing of music for broadcasting under Section 31D of the Indian Copyright Act. It argues for a more transparent and accessible licensing model, highlighting the limitations of voluntary licensing and the potential benefits for authors and the public.

Statutory Licenses for Broadcasting – Part V: Notes on Copyright Amendment, 2012

This post analyses the statutory licenses for broadcasting introduced by the 2012 Copyright Amendment, focusing on Section 31D of the Copyright Act. It addresses eligibility, royalty determination, and compliance obligations for radio and television broadcasters in India.

Works Made for Hire and Film Production – Part I: Notes on Copyright Amendment, 2012

This post provides a structured analysis of works made for hire under Indian copyright law, especially in film production. It examines Section 17, the 2012 amendment, and emerging questions on authors’ rights and producer ownership.

Would Licensing a Sound Recording Call For Separate License From the Lyricist and Composer?

The Delhi High Court ruled that broadcasting a sound recording in India does not require separate licences from lyricists or composers, only from the producer. This decision has substantial implications for music creators’ rights and royalty entitlements under Indian copyright law.

SAP Aktiengesellschaft & Anr (Plaintiff) Vs. Sadiq Pasha, Proprietor, M/s Neologik India

The Delhi High Court restrained Neologik India from using pirated SAP software and awarded punitive damages for copyright infringement. This decision highlights the judiciary’s strict approach to commercial software piracy and the significance of punitive damages in such cases.

Literary Works to Braille – Which Exclusive Right?

This article analyses whether converting literary works to Braille involves reproduction or adaptation rights under Indian copyright law. It provides a structured legal perspective on the relevant copyright exceptions for accessible formats.

History of Copyright Law in India

This article examines the historical trajectory of copyright law in India, from its colonial origins to modern statutes. It analyses key legislative milestones and the impact of international agreements on Indian copyright regulation.

Moral of “3 Idiots”

This article discusses the legal and practical aspects of moral rights in Indian copyright law, using the 3 Idiots controversy as a case study. It explores the scope of waivers, legislative protections, and the ongoing relevance of moral rights for authors.