This post analyses the statutory licenses for broadcasting introduced by the 2012 Copyright Amendment, focusing on Section 31D of the Copyright Act. It addresses eligibility, royalty determination, and compliance obligations for radio and television broadcasters in India.
Read more about Statutory Licenses for Broadcasting – Part V: Notes on Copyright Amendment, 2012Tag: Indian Copyright Act
Works Made for Hire and Film Production – Part I: Notes on Copyright Amendment, 2012
This post provides a structured analysis of works made for hire under Indian copyright law, especially in film production. It examines Section 17, the 2012 amendment, and emerging questions on authors’ rights and producer ownership.
Read more about Works Made for Hire and Film Production – Part I: Notes on Copyright Amendment, 2012Would Licensing a Sound Recording Call For Separate License From the Lyricist and Composer?
The Delhi High Court ruled that broadcasting a sound recording in India does not require separate licences from lyricists or composers, only from the producer. This decision has substantial implications for music creators’ rights and royalty entitlements under Indian copyright law.
Read more about Would Licensing a Sound Recording Call For Separate License From the Lyricist and Composer?SAP Aktiengesellschaft & Anr (Plaintiff) Vs. Sadiq Pasha, Proprietor, M/s Neologik India
The Delhi High Court restrained Neologik India from using pirated SAP software and awarded punitive damages for copyright infringement. This decision highlights the judiciary’s strict approach to commercial software piracy and the significance of punitive damages in such cases.
Read more about SAP Aktiengesellschaft & Anr (Plaintiff) Vs. Sadiq Pasha, Proprietor, M/s Neologik IndiaLiterary Works to Braille – Which Exclusive Right?
This article analyses whether converting literary works to Braille involves reproduction or adaptation rights under Indian copyright law. It provides a structured legal perspective on the relevant copyright exceptions for accessible formats.
Read more about Literary Works to Braille – Which Exclusive Right?History of Copyright Law in India
This article examines the historical trajectory of copyright law in India, from its colonial origins to modern statutes. It analyses key legislative milestones and the impact of international agreements on Indian copyright regulation.
Read more about History of Copyright Law in IndiaMoral of “3 Idiots”
This article discusses the legal and practical aspects of moral rights in Indian copyright law, using the 3 Idiots controversy as a case study. It explores the scope of waivers, legislative protections, and the ongoing relevance of moral rights for authors.
Read more about Moral of “3 Idiots”Copyrights and Jokes: Father Went to Church: ha ha ha
This article provides a structured analysis of how Indian copyright law applies to jokes, covering originality, infringement, and fair dealing. It offers practical insights for creators and users regarding the legal limits and protections for jokes.
Read more about Copyrights and Jokes: Father Went to Church: ha ha haCopyrights, Fair Dealing, and Fair Use in India
This post discusses the fair dealing and fair use provisions under the Indian Copyright Act, focusing on Section 52 and its exceptions. It provides a clear table mapping each provision to the specific types of works affected, offering clarity for users and practitioners.
Read more about Copyrights, Fair Dealing, and Fair Use in IndiaThe Delhi High Court Delivers Judgement in a Copyright Infringement Suit
The Delhi High Court clarified the scope of educational fair use under Indian copyright law, allowing photocopying of book portions for academic purposes. The judgement distinguishes between legitimate educational use and commercial exploitation, providing much-needed clarity for institutions.
Read more about The Delhi High Court Delivers Judgement in a Copyright Infringement Suit