First Owner of Copyright in Film Music: Delhi HC in Saregama v Ilaiyaraja
Section 17(b) and 17(c) of the Copyright Act, 1957 was applied by the Delhi High Court to treat the producer as the first owner of copyright in film…
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Section 17(b) and 17(c) of the Copyright Act, 1957 was applied by the Delhi High Court to treat the producer as the first owner of copyright in film…
World IP Day and the Best of IP in Music With WIPO’s call to “Feel the Beat of IP” World IP Day 2025 brings music and creativity to…
The Calcutta High Court has clarified the scope of authors' royalty rights under Indian copyright law, affirming protections introduced by the 2012 amendment. The judgment ensures that authors…
The Delhi High Court encouraged settlement in a dispute between PPL and Neb Sports over alleged unlicensed public performance of sound recordings at sporting events. The case highlights…
The Bombay High Court held that PPL and Novex may validly license sound recordings even though they are not registered copyright societies. Section 33 does not restrict copyright…
This post examines the Copyright Amendment, 2012, particularly the statutory licensing regime for cover versions under Section 31C. It discusses the legal requirements for making version recordings and…
The Kerala High Court clarified that producers, not composers, own the copyright in sound recordings used in films, unless a contract states otherwise. Matrubhumi and Malayalam Manorama were…
This article examines the complex structure of royalty rights in sound recordings, lyrics, and musical works under Indian law. It discusses copyright ownership, licensing, and the roles of…