Indian cinema | Intellepedia

Court refuses injunction against Bhanushali’s “Main Atal Hoon”

The Bombay High Court declined to grant an interim injunction against Main Atal Hoon, finding that the film’s content was based on public domain events and thus not subject to copyright infringement. The decision also denied specific performance, citing the impracticality of court supervision in such matters.

Weekly Updates: Copyright and Entertainment Law

This bulletin presents key updates in Indian copyright and entertainment law, including Supreme Court and consumer forum decisions, and enforcement actions against content piracy. It is compiled by BananaIP Counsels as part of their intellectual property law awareness efforts.

Padmavati and Film Censorship: Fiction is Fact; Fact is Fiction!

The Padmavati controversy brings to light complex issues in film censorship and the certification process in India. This post provides a legal perspective on the balance between creative freedom, historical interpretation, and public sentiment.

Copyright assignment/licensing issues in movie sequels

This article discusses the legal dispute over copyright assignment and sequel rights in the Sarkar film series. The Bombay High Court held that remake rights were granted to Narendra Hirawat, while sequel rights remained with ZPC, clarifying crucial aspects of film copyright in India.

Film Expression and Censorship in India: Udta Punjab and Lipstick under my Burkah (Part 3)

This post explores landmark cases of film censorship in India, such as Udta Punjab and Lipstick Under My Burkha, and reviews how the CBFC’s decisions were challenged in court. It objectively analyses the legal reasoning and broader implications for freedom of expression in Indian cinema.

Mohenjo Daro triumphs infringement battle

The Bombay High Court dismissed a copyright infringement suit against Mohenjo Daro, finding no substantial similarity with the plaintiff’s work. The judgement reinforced the need for clear evidence in film plagiarism claims.

Dust settles down in the Udta Punjab row

The Udta Punjab censorship controversy exposed deep tensions between artistic freedom and regulatory authority in Indian cinema. The Bombay High Court’s judgement in favour of the filmmakers reaffirmed the constitutional primacy of creative expression.

Trouble in Mohenjo Daro Paradise!

Mohenjo Daro has become embroiled in a copyright dispute after Akashaditya Lama accused the filmmakers of copying his script. The legal battle raises significant questions about copyright protection in Indian cinema and the complexities of film script ownership.

Movie making – A tale of woes.

This article examines the frequent legal issues faced by movie producers in India, including copyright, trademark, and content-related challenges. It offers practical advice for minimising legal risks and ensuring proper rights management in film production.

Entertainment Law: The joke isn’t funny anymore

Kapil Sharma’s film Kis Kisko Pyaar Karoon is facing a plagiarism dispute for alleged similarities to the Kannada film Nimbe Huli. This case highlights recurring legal and originality issues in Indian cinema, reflecting broader industry trends.