This article discusses critical legal requirements for copyright assignments and licenses in India under Section 19 of the Copyright Act, 1957. It also analyses the 2012 amendments and their impact on the rights of underlying authors in films and sound recordings.
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Hiding in Plain Sight: Is Spotify in the ‘Business of Issuing or Granting Licenses’?
This analysis examines Spotify’s licensing arrangements in India in light of Section 33 of the Copyright Act 1957. It explores whether Spotify’s business model aligns with the Act’s requirements and addresses unresolved legal questions.
Read more about Hiding in Plain Sight: Is Spotify in the ‘Business of Issuing or Granting Licenses’?Technological Protection Measures
Sections 65A and 65B of the Copyright Act, 1957 introduce technological protection measures and rights management safeguards in Indian law. These provisions aim to combat digital copyright infringement and strengthen the rights of copyright owners in the digital era.
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This article analyses the concept of fair dealing under Indian copyright law, as set out in Section 52 of the Copyright Act, 1957. It examines the differences between Indian fair dealing and US fair use, with reference to recent legislative amendments.
Read more about Indian Copyright Law and Fair dealingPadmini and ors.Vs.Raj Television Network Limited
This case discusses whether the assignment of negative rights to a film includes future modes such as digital cinematography under Indian copyright law. The Court held that the comprehensive assignment of negatives covered all forms of exploitation, including digital formats, upholding Raj Television Network’s rights.
Read more about Padmini and ors.Vs.Raj Television Network Limited