cinematograph films | Intellepedia

Who Produced Money, and Who Owns the Copyright?

In the case of R. Kishore Kumar v. M S R R Cine Productions, the court decided who qualified as the producer and copyright owner of MANI, which was censored as MONEY. The court said that copyright ownership did not depend only on the name in the censor certificate. It depended on who took the initiative and responsibility for making the film, and the court found that Kishore Kumar had done so.

First Owner of Copyright in Film Music: Delhi HC in Saregama v Ilaiyaraja

Film reel and musical notes illustrating film music rights.

Section 17(b) and 17(c) of the Copyright Act, 1957 was applied by the Delhi High Court to treat the producer as the first owner of copyright in film works, absent an agreement to the contrary. Interim restraint was granted against unauthorised licensing of the works.

Case Brief: YRF v Sri Sai Ganesh Productions

The Delhi High Court’s decision in YRF v Sri Sai Ganesh Productions addresses key issues around copyright infringement and originality in cinematograph films. The Court’s findings clarify the boundaries of copyright protection for films in India and reinforce the rights of original film producers.

Works Made for Hire and Film Production – Part I: Notes on Copyright Amendment, 2012

This post provides a structured analysis of works made for hire under Indian copyright law, especially in film production. It examines Section 17, the 2012 amendment, and emerging questions on authors’ rights and producer ownership.

Matrubhumi Printing and Publishing Ltd v. IPRS

The Kerala High Court clarified that producers, not composers, own the copyright in sound recordings used in films, unless a contract states otherwise. Matrubhumi and Malayalam Manorama were found not to infringe composer or lyricist rights by broadcasting such recordings on FM radio.

Sound Recording, Literary & Musical Works and Right to Royalty – Part 2

This post examines the complexities of royalty rights for sound recordings and underlying literary and musical works in India. It provides a legal analysis of significant court decisions and their impact on authors, producers, and commercial broadcasters.