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Copyrights

BananaIP Counsels > Copyrights (Page 37)

Online Piracy, A matter of great concern, As Discussed during the India-US CEO Forum

This image depicts a conversation between Narendra Modi and Obama. This image is relevant as the article deals with the online piracy discussions held in US CEO Summit. Click on this Image for more Information.

The second visit of President Barack Obama to India, the first US President to have visited India twice while in office, clearly highlights the global partnership between the two nations in the task of strengthening economies and strong democracies. Referring to said partnership, Prime Minister Narendra Modi stated that the partnership assumes great relevance in the digital age. In this age of modern digital technology, an issue that has been nagging the industrial sector, particularly the Entertainment Industry, is online movie piracy. The Motion Picture Association (MPA), in its latest report on movie piracy, has listed India as one among the...

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Pirates of Bollywood on Copyright Infringement

  Here's a sneak peak (possible spoiler) at what Pirates of Bollywood brings to its readers in its court arguments on copyright infringement.. Alluring, isn't it? Read on then.   Pirates of Bollywood - Court Arguments on Copyright Infringement- An Excerpt (Chapter 59)   Sipping on her coffee, Justice Somaiya said, “Counsels, let us start the rebuttals session. As I indicated earlier, we will not be following the standard procedure, and I will interrupt only, if and when, things get out of control.” The unique rebuttal process was new to Arjun, but Vachaspati, having argued before Justice Somaiya several times before, was well aware of the...

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Weekly IP Warm-UP!

GOOGLE V. SPAIN – SPANISH PUBLISHERS SUFFER AS GOOGLE NEWS CLOSES OPERATIONS

A new Copyright law which has made it mandatory for Google, Yahoo and other news aggregators to pay licensing fee to all news publishers for using their stories or snippets in Google News, results in Google cutting its operations in Spain. However, the regulation allowed publishers to opt in to Google’s index, and prevent Google from paying licensing fee.

COPYRIGHT REGULATION TO ALLOW PRIVATE COPYING; TO FACE IRE OF UK MUSIC INDUSTRY

In UK, music can be legally copied to a private system but a strong resistance was noticed from the UK music industry. The law came into force on October 1, 2015.

Pirate’s Share: Piracy is Not Music to Many Ears

This image depicts a Classical Guitar. This image is relevant as the article deals with the Entertainment News of Bollywood. Click on this Image for more Information.

  The revenues from digital formats of music, as per an article published by RIAA, was about US$ 4.4B in 2013, and is growing at a exponential rate. The evolution of novel modes and means of digital exploitation has opened doors to music creators and owners across the world, as well as pirates. With more than 500 record labels releasing recordings in more than 20 languages, the music business in India is not only very large, but also diverse. The share of digital music revenues is estimated to be more than 90% and is expected to touch INR 18B in 2015. Despite the increasing...

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New Copyright Law: Parody is Legal if Judge Thinks it’s Funny

Imagine, one day, if Copyright Laws were changed to account for the legality of a parody, a caricature or a pastiche[i], based on whether a Judge found it funny. For the citizens of UK, that day was October 1, 2014. Amendments to the Copyright, Designs and Patents Act, 1988, have done exactly this. Along with changes in Parody Law, there’s a new freedom by law to create personal copies, for private use[ii]. The UK Copyright Law, known to be anything but relaxed, has seen a crucial change, as can be seen below: Copyright Law imparts unto a user the right to copy,...

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Development of Copyright Law in the UK

  Following recommendations given in an independent report by Professor Ian Hargreaves in 2011, the UK Government had come up with several changes in the Copyright Law, covering aspects of fair dealing for accessible formats for the disabled, research and education, public administration, parody and personal copies for private use. Of these, regulations allowing personal copies of legally-bought music to be made for private use under exceptions to copyright are facing strong resistance from the UK music industry. Having come into force on October 1, 2014, the law was one of the two delayed statutory instruments on the matter passed on July...

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Royalties for Singers – Delhi High Court passes a favorable order

This image depicts a Court Gavel. This image is relevant as the article deals with the decision delivered by Delhi High Court regarding Royalties to singers. Click on this Image for more Information.

For all of us waiting to hear of development in the Copyright (Amendment) Act, 2012, yes, we have some news for you. It is not for Lyricists, or for Music Composers, but for Singers this time! The Indian Singers Rights Association (ISRA) has obtained a favourable order against one of the Delhi based clubs, Night Fever Club & Lounge, that has been playing songs and not paying Singers their due. The ISRA filed a suit against this lounge before the Delhi High Court on December 18, 2014 and have been successful in procuring a favourable order. The copy of the order states that the...

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Emancipation of Sherlock Holmes & Dr. Watson

The image is from the BBC television show depicting Sherlock Holmes and John Watson. The post is about the expiry of copyright over Sherlock Holmes which is now in Public Domain. Click on the image to read post.

One might ask, how do 127-year-old immortal characters of Sherlock Holmes & Dr. Watson achieve emancipation? The answer is simple: Sherlock’s free for all now, as a direct result of Leslie Klinger v. Conan Doyle Estate Ltd[i]. The 7th Circuit Court of Appeals, US, vide Order dated June 16, 2014, clarified that the characters of the Sherlockean World, creations of Sir Arthur Conan Doyle, are in the public domain now, as their copyright expired as early as 1997. With the exception of 10 Sherlock stories written between 1923 and 1927, the copyright has expired on all other 46 stories and...

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Reversion of Assignments & Licenses – Part III: Notes on Copyright Amendment, 2012

The image has a sheet of paper with text stating "Copyright License Agreement". The post contains notes relevant to Copyright Amendment Act 2012. Click on image to view post.

The Copyright Amendment brought in a few important changes with respect to mode of assignment of works. Not exercising due care with these provisions might result in reversion of rights. Thankfully, some of these changes were all encompassing and not limited only to authors or owners of works for films.

Relevant provisions of Section 19 read as follows:

“19. Mode of assignment. …

(4) Where the assignee does not exercise the rights assigned to him under any of the other sub-sections of this section within a period of one year from the date of assignment, the assignment in respect of such rights shall be deemed to have lapsed after the expiry of the said period unless otherwise specified in the assignment.

Assignment & Royalty – Part II: Notes on Copyright Amendment, 2012

The image has a huge copyright sign at the center of it. The post is about copyright assignment. Click on image to view post.

One of the primary purposes of the Copyright Amendment in 2012 was to ensure that authors get their well deserved consideration. The focus was primarily on authors, who create works for feature films. Other authors, unfortunately, received little or no attention. After making sure that producers do not take away ownership rights by signing ‘work for hire’ engagements, the amendment made changes to provisions with respect to assignment in Section 18.

The first provision in Section 18, the subject of this post, reads as follows:

“18. Assignment of copyright. (1) The owner of the copyright in an existing work or the prospective owner of the copyright in a future work may assign to any person the copyright either wholly or partially and either generally or subject to limitations and either for the whole term of the copyright or any part thereof: Provided that in the case of the assignment of copyright in any future work, the assignment shall take effect only when the work comes into existence.

Provided further that no such assignment shall be applied to any medium or mode of exploitation of the work which did not exist or was not in commercial use at the time when the assignment was made, unless the assignment specifically referred to such medium or mode of exploitation of the work:

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